Maurice Ravel’s 1912 Première Suite: 1. Nocturne (from Daphnis et Chloé) inspired Pierre Kemp to write his poem Gramophone DB 4930. Kemp’s record collection holds a 1934 recording by the Orchestre de la Société des Concerts du Conservatoire, conducted by Piero Coppola.
Jean-Joseph Mouret’s 1714 Les Festes de Thalie inspired Pierre Kemp to write his poem Elegie om het verlies van Amaranth. Kemp’s record collection holds a 1951 recording by the Orchestre de la Société des Concerts de Versailles, conducted by G. Cloez.
Six works by Mander, dated 1616-1618, and a life of Mander, ascribed to G.A. Bredero who has signed the concluding verse, issued with a general engraved t.p., and with introductory matter. All but the first work and the life have also special title pages: t'Amsterdam : Voor Cornelis Lodewijcksz. vander Plasse, and colophons: t'Amsterdam : Ghedruckt by Paulus van Ravesteyn.
Engraved title page and portrait of Van Mander by Nicola Lastman